After exploring pop-leaning sonics she first found with Red, Swift worked with Martin and Shellback again on most of 1989. 1989 was lauded by critics for its infectious synth-pop that was reminiscent of the 1980s, yet still had a contemporary sound. She plays with time — speeding it up in “Starlight,” dabbling in the past in “All Too Well,” and reframing it in “State of Grace” — to better understand her experiences. In her liner notes, she references Pablo Neruda’s poem “Tonight I Can Write,” stating that “Love is so short, forgetting is so long” is the overarching theme for the album. From addressing the aforementioned VMA incident in the forgiving “Innocent” to a toxic relationship in “Dear John,” Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.
- What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
- The movie has moved up the charts by 179 places since yesterday.
- Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”
- While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage.
- As Rihanna’s debut album, ‘Music of the Sun,’ turns 20, take a deep dive into the superstar’s catalog and her evolution from teen idol to beloved icon.
- In June 2016, Rihanna released “Sledgehammer” as part of the film soundtrack for Star Trek Beyond.
- Following three multi-platinum albums in a three-year span, Rihanna’s rebranding as a rebel at heart reached its apex.
In the United States, it is currently more popular than Come and See but less popular than Shutter. The movie has moved up the charts by 179 places since yesterday. The pair meet and fall in love on the Titanic, the greatest ship to sail the oceans. Rose is a high-society young woman who is being forced into a loveless marriage with a wealthy man.
Move to the United States and Career Start
Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s. The album’s lead single, “Work,” featuring rapper Drake, spent nine weeks at No. 1 and earned two Grammy nominations. In January 2016, Rihanna released her eighth album, Anti, allowing Jay-Z’s online streaming site Tidal to exclusively feature the collection of tracks for a week. The album included “We Found Love,” a track with DJ Calvin Harris that won the 2013 Grammy Award for best short-form music video. Less than a year later, when Rihanna was only 16 years old, she left Barbados to move betista casino in with Rogers and his wife in Connecticut and work on recording a demo album.
Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014. Two years later, she nearly doubled this feat, producing a whopping five No. 1 hits in 2010, including “Love The Way You Lie” with Eminem, “Rude Boy,” “S&M,” the Grammy-winning “Only Girl (In The World),” and “What’s My Name” featuring Drake. Known for her sexually provocative imagery and wild style, Rihanna made headlines for the sheer dress she wore to the Council of Fashion Designers of America (CFDA) awards ceremony in June 2014. On her Grammy-winning 2012 album Unapologetic, Rihanna turned out such hits as the No. 1 Sia-written tune “Diamonds” and “Stay,” featuring Mikky Ekko.
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A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.
Charts
Swift felt a “quiet conclusion” after finishing up evermore, describing that it was more about grappling with endings of all “sizes and shapes,” and the record represented a chapter closing. “Closure” is a “skittering” track that has the same energy as tracks like Lover’s “I Forgot That You Existed,” whereas the ballad “champagne problems” is thematically reminiscent of Swift’s Speak Now track “Back To December” where she takes responsibility for her lover’s heartache. Folklore’s impact on the zeitgeist at a time where everyone was stuck at home helped shape people’s quarantine experience. She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National.
It’s a highlight on The Life of a Showgirl as it’s a testament that, regardless of how much time has passed or the fame that Swift has achieved, she still looks back on those who changed her life early on. Swift doesn’t want you to get it twisted, though — this is an album about the life of a showgirl, not an album about being a performer. She’s no longer anxious in love (“Eldest Daughter,” “Honey”) and for the first time, she owns all of her work and is in complete artistic control (“Father Figure”).
- As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she’s been in control of her entire discography.
- In March, Rihanna and Brown released two remixes—her track “Birthday Cake” and his “Turn Up the Music”—which were criticized due to their history of domestic violence.
- Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart.
- Aiming to dismiss her girl-next-door image in favour of a more mature and rebellious persona, she worked with such producers as Ne-Yo, Timbaland, Justin Timberlake, and Tricky Stewart for the album.
- This made her the artist with the most digital single awards and the first performer to exceed RIAA’s 100 million cumulative singles certification threshold.
- Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon.
The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
Rihanna has worked with music video director Anthony Mandler on seventeen music videos, the first being “Unfaithful” (2006). Rihanna was also influenced by artists such as Janet Jackson, Aaliyah, Beyoncé, Celine Dion, Grace Jones, Lil’ Kim, Prince, and Brandy. In her youth, Rihanna often watched Bob Marley on television due to his popularity in the Caribbean. Rihanna identified Brandy’s fourth album, Afrodisiac (2004), as a primary source of inspiration for her album Good Girl Gone Bad. After moving to the US, she was exposed to a wide range of musical genres, which she said had a profound effect on her.
Elizabeth Taylor has appeared as a character in Swift’s songs before, particularly in rep’s “Ready For It…?” where she compares herself to the famous actress and entertainer. Comparatively, “Eldest Daughter” — track five, a spot Swift notoriously reserves for the most emotional song — is a love song about the masks we wear and the selves we choose to reveal. Throughout the record, dynamic and layered pop soundscapes mimic the same energy Swift was feeling both on and off stage. “I thought who better to ask to be a part of this song than the ultimate showgirl Sabrina Carpenter.” Instead of writing songs akin to “I Can Do It With A Broken Heart,” a song about performing in the midst of heartbreak and grief, Swift opted to focus on what people don’t necessarily see when they buy a ticket to a show. Now that the curtain is up and The Life of a Showgirl is out, read on for five key essential insights from Taylor Swift’s new album.
Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s “The Monster.” More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.
Rihanna has faced personal challenges, including a highly publicized incident of domestic violence with former boyfriend Chris Brown. With these endeavors combined with her musical empire, Rihanna has not only cemented her legacy in music but also positioned herself as a powerful icon in the world of entrepreneurship. The singer launched her makeup line, Fenty Beauty, in 2017, gaining instant popularity for its extensive range of shades catering to all skin tones. This wealth is a result of her multifaceted career, which extends beyond music to include ventures in fashion, beauty, and film. Rihanna, one of the most successful pop stars of her generation, has amassed an impressive net worth estimated to be around $1.7 billion, according to Forbes. Rihanna’s romantic life has often made headlines, with notable relationships sparking both admiration and intrigue.
Rihanna also said that Carey’s “Vision of Love” (1990) was the song that inspired her to pursue a career in music. Vulnerability is explored on the pop and synth-pop record Unapologetic (2012), which Vulture described as an “act of defiance … to sort out her feelings about her … ex-boyfriend Brown and her public image”. Rihanna’s rock-imbued record Rated R (2009), released after the assault by her then-boyfriend, Chris Brown, had a much darker tone and was filled with various emotions she experienced since then.
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It was a very vulnerable time in my life, and I refused to let that be the image. In addition to being a talented recording artist, Rihanna is a billionaire entrepreneur with multiple successful business ventures. Rihanna’s latest work, Anti, arrived in January 2016, topping the mainstream album chart for two weeks. In June 2007, Rihanna released her third album, Good Girl Gone Bad, to much fanfare. The album’s second single, “If It’s Lovin’ That You Want,” made it into the top 40. Rihanna released her debut album, Music of the Sun, in August 2005.
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.
Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of “Blank Space” and “Look What You Made Me Do.” Leaning into Lover being a “love letter to love,” Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public’s overall perception of her at the time — some even claimed that Swift was ahead of her time with the album’s overall sound. Although Swift said that the album has its vindictive moments — even declaring that the “old Taylor” is dead on the bridge of “Look What You Made Me Do” — it’s a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.